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Simultaneously revolt and engineering, these devices mine the fascination that spectators of the industrial age had with the way things work, the operational aesthetic’ (tom gunning qtd knopf, 69) to what extent do technology, human physicality and plot intersect to create comedy?

by | Nov 13, 2022 | Film studies

‘Silent American comedy developed a form which drew its inspiration from gags rather than plotting … But their explosive counter-logic also found embodiment in devices of balance and trajectory, anti-machines which harness the laws of physics to overturn the...

Why does, for instance, spike lee stitch together two opposite dutch angles (canted angles) in a given sequence (see do the right thing, for a lot of this kind of disruptive “diagonality” when we get to it).

by | Nov 8, 2022 | Film studies

Submit your sequence analysis from a film of YOUR CHOICE here. BUT the key should be that the sequence should really comprise some meaningful unity of action/time/place. I.e. think carefully about where you start and stop. I am not going to prescribe a length, but...

I find it counterproductive to suggest a target word count for these answers, but you should organize your ideas into a succinct, forceful argument with supporting detail and then plan to devote the equivalent of one intensely active 80-minute class session to committing those thoughts to words.

by | Oct 3, 2022 | Film studies

So, here’s the deal: For your responses, write like crazy, using full sentences but not bothering with the niceties of formal composition (no introductory comments, no restating the question, no having a concluding paragraph, etc.). Also feel free to abbreviate the...